1. |
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Fine, don't follow a tiny boat for a day. The guide will follow a tide at two. In the daylight. we simply believe in a man or a shrine and simply recall all the scattered. I was going to write a note for the day but I was following all the threats that you made and we comfort to wring everybody's hide and comfort to call them in tatters.
Tried to follow our tide, to follow our neighbours to your shrines. I followed and find you're going to wring your neighbour's hide. I was following to your shrines
Why you follow it by a token and plaid? I was going to buy a dove for the grace and we will not decree everybody's shrines in the way that the knights are in tatters.
Tried to follow our tide, to follow our neighbours to your shrines. I followed and find you're going to wring your neighbour's hide. I was following to your shrines.
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2. |
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Cause I want you to know the faces never told you quite how to taste delight and awake for Denise with frowns and tennis fees and decide to take her out besides. Holy flies and faces that tell the creed. Counts too far and strays inside the keys that you played with plates of eyes of braised and rare and faultless sides taken with your measure and your thighs.
Cause I want you to know its now or never sold with white, gilded cases I said I want you to see the frowns in Tennessee about the pavements and the spouts. Till you shower in streams of bold relief. And these thoughts are sold into belief and will you wake inside the green and fold and I will sew the seams, covered you with laces and your screams.
Cause I want you to know the faces never told you quite how to taste delight and awake for Denise with frowns and tennis fees and decide how to taste delight.
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3. |
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If you lie to me by three courses to try. If you never felt defined to speak all your mind. Cause you know we begin in this fortune to sin and I see that you know the smell my hospital brings. And I know you before you face all the doors.
But if you could receive in silence you leave and love never knelt these nineteen paces from me. And if I’d followed you in an open canoe and if I’d never liked the shirts with stripes and the news that I know you before you face all the doors.
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4. |
For the Aperture
02:38
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Raised your hands by the Nile and held your case to inquire.
Of the tiles and strings born by those kings who fought their way for the aperture.
Size and makes and bazaars where two in ten come in cars.
And the cards they buy, who knows and why? All in wait for the aperture.
Sand inside, cables were dry, wafer signs, stables and why you know to show?
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5. |
The Northern Lights
02:40
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For the lights, for remains, for the white and for the names. Rest assured for your old intentions. To afford all the sites and the weight for the flights rest assured all your old intentions
Going before the slide show ends and with the rain you return all the pounds that you burned, then you wait for the old intentions. Going before the slide show ends and away.
Going before the slide show and then away and return too amazed not to learn. Rest assured and beside the northern lights in July. For the sounds that made you awake and the Swedish bread that was one day arranged like your old intentions.
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6. |
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Save to borrow out a four wheel drive in safety colours and another kind that is in two minds. One to take the gauge and one defines the mean, Sanctuary Green
Take your pillow to a family sale with spacious alleys and a cordoned, pale, light blue stand that's wavering a cause for you to ford between, Sanctuary Green
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7. |
Writers from Nepean News
03:21
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You were over seeing writers from Nepean News and you wanted to be handing out the flyers underneath the tyres. You said you wanted to be at the school at two with the mayor in gown and you took the Ormond Times and used your favours with the news.
You were overeating days before the meeting. I couldn't find you. I had left it to the waiter all about the catering then I found you and we left the school to choose all the wages and the fuse. And the times that we believed them in the news.
I woke to hear him shout that "queers and greens are all the ones who hate the weir". Cause you were over seeing writers from Nepean News and you wanted to see them at the winning stages and beginning. To see you wanted him to meet with camera crews and the favours that we used and the thoughts that we believed them in the news.
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8. |
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The day that she drowned, her body was found rolled over on the wide beach with the tide. Some say she fell and some wouldn't tell me how she came to lie. I never knew her or the two friends who had sailed out in the gale but somehow she called me and I recall the sound of the waves and cries.
What matters is all that you will see. I couldn't call her just to find, over withdrawal, why she would call to me? People were shown the body alone and walked in to try to say goodbye. I'd never seen her but I had been told she was wearing white.
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9. |
Signs I Can’t Read
03:55
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Signs I cant read and tables of clean seeds. These matters are in vain like embassy cleaners wait for the bus to arrive and for forces to decline. Do cannons relay sweepers to trade their blades?
Smoke comes inside on mornings when we tried to sleep in till nine. And she takes the tape off my blisters that bleed. Sundays and reading histories we found at stores that will trade them bound.
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10. |
Grace and Seraphim
02:43
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Don't hide, don't feed these awkward three. Her wake will end at five.
Out wide and clean in thongs and beam your lights in to survive.
Come wave, come say goodbye and hide your careless smile cause when she drowned her friends surrounded grace and seraphim
Come hide, come see this awkward grief that I wait for soon to bear
And he'll be drunk and on the run cause no one knows you're there
Come wave, come say goodbye and hide your careless smile cause when she drowned her friends surrounded grace and seraphim
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Tamas Wells Melbourne, Australia
Tamas Wells is a songwriter based in Melbourne, Australia.
His latest album 'To Drink Up the
Sea', with the single 'It Shakes the Living Daylights from You' is out now. The album was produced by Machine Translations' Greg J. Walker in rural Victoria, Australia.
... more
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