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To Drink up the Sea

by Tamas Wells

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1.
Broke down, border town, Left it on the causeway, The kind of town with a statue and speedway  And a story of a tiny mandolin and fridge magnet elves that shake the living daylights from you   A broken back, a quarter back banking on the next game, in some American film on a Sunday Got the feeling that your wedding couldn’t wait And you told me on the phone  It shakes the living daylights from you   I’ve got a terrible bout of something with my eyes From the mattress or the speedway lights Will I want to hear the sound The sound of William Applegate The sound
2.
I see them only when they’re sleeping at night Their breathing reminded me that they are alive No-one could ever make me think that in Arkansas They know the reason for arguments that go on, around and around they go   Stephen sees Jesus in the glory of light  They hold him down until his face has gone white No-one could ever make me think that in Arkansas The reason for arguments that go on, around and around they go   I heard them say that they believe in the happiness of all ‘What else is a human being for?’ But around, around we go
3.
Every other day I make a resolution not to wait. In the waiting bay there’s a little waterfall they made. now it’s not a secret They called right back, they called right back I know now it’s not secret When we found out we were all afraid   Every other day I walk up to the bakery and then  I carry the bouquet Up into the wards and then they say They tell me I can see you But I can’t look back I can’t look back  And they tell me I can see you It all comes out and I walk back to my car   I can’t look back I can’t look back again So I’m taking it out leaving it under   Under the waterfall  And I know when I see the carpark lane There’ll be a shiver down my spine   I know it’s not a secret They called right back, they called right back And I know its not secret When we found out we were all afraid   I can’t look back I can’t look back again I’m taking it out leaving it under   Under the waterfall  And I know when I see the carpark lane There will be a shiver down my spine
4.
It’s not the same Last night I set four dinner plates And there was one for you But you won’t need it anymore And I want to say That I miss you every day And the birds are all around And they wait for you each morning by the lake   It’s not the same One year you taught me how to paint But I broke the drill And I’m a danger near a nail What I mean to say Is that I’m not one to cry But I miss you every day And I stared at that old canvas for an hour   I know its not the same The birds wait on the lake for you See your canvas and the paint And I miss you every day we’re here
5.
When we both knew the words to To Kill a Mockingbird  We read in year ten, and that was when I heard that you made the chorus in the play As Anna would say, you fought tooth and nail   the strange thing that we heard was just some aquatic bird that flies in and out in the evenings up here the night that you sang, you held Aladdin’s hand and I looked down and pressed my fingernail   There’s things I regret now I could have told you after the song There’s things I remember, and I don’t why As soon as its quiet, they all come mind
6.
Awake enough to think of all things I could’ve said  But not awake enough to worry that the grass is dead  And I see the garden’s been overrun But April‘s revolutionary, May I’m just a mercenary June I’ll never understand, July I want a second chance If I want to feel alive If I want to feel alive Then August I think nothing much at all   She said that life was hard, and I should read Kierkegaard, If only I could understand a single word he said And I see the garden’s been overrun But April‘s revolutionary, May I’m just a mercenary June I’ll never understand, July I want a second chance If I want to feel alive If I want to feel alive Then August I think nothing much at all   But April‘s revolutionary, May I’m just a mercenary June I’ll never understand, July I want a second chance If I want to feel alive If I want to feel alive Then August I think nothing much at all
7.
8.
On those stones there are small Shells like razor blades And the blood runs down my toes And onto the towel and we know  The sandbar will leave with the tide We swim back to meet bigger flies than I have seen Gathering over my feet   It’s lighter than ever I’ll never forget her Wrapping herself on the ground Under canvas and metal and pegs that were devils That bend with the first strike of mine   I could not name all the trees Not sure if I knew three Butterflies and Henry James  My memory’s quite good for names But not for things that we see hiding under leaves Or the name of certain streets Or bargains that she sends to me   She’s brighter than ever I’ll never forget her Mixed metaphors all the time Under canvas and metal and pegs that were devils That bend with the first strike of mine Its lighter than ever the dawn in this weather I never would bother to see Some things are better imagined Than severed by circumstances they say
9.
We’ll stay Another day or more, till the wake Like the patterns that sea birds make in the sky over sooner forgotten towns, they had gone in the morning.  We weren’t surprised. And everyone told their stories as though they had tried. However they had found out  However they’d seen The card on the mantelpiece   We’d made a little a tower of stones by the lake  In the pictures of you and me we’re standing with them on the shared house lane   They had gone in the morning  We weren’t surprised and everyone told their stories as though they had tried However they had found out  However they’d seen The tattoos on Anna’s feet   They had gone in the morning  We weren’t surprised and everyone told their stories as though they had tried However they had found out  However they’d seen The tattoos on Anna’s feet
10.
To My Love 03:58
To a blanket to a chair To a mat with rabbit hair To the orange in the air To the naked to the brave To the loss of us with age To the times we were amazed To my love   To the first and to the last To your fall and to your cast To go back and feel the start   To the brass and to the strings To your hair and a bobby pin To naivety that sings To my love

about

Tamas Wells will release his much-anticipated new album ‘To Drink Up the Sea’ on December 8. The album was produced by Machine Translations’ Greg J. Walker in Victoria, Australia and contains the single ‘It Shakes the Living Daylights From You’ released in October. It marks Wells’ first release since his 2017 work ‘The Plantation’. The album combines Wells’ characteristic beautiful vocal harmonies with the infectious psychedelic folk sounds and multi instrumental talents of Greg J. Walker. The songs explore memory, loss and belief, and stories of small towns, sleeping children and fridge magnet elves. Tamas Wells will be doing an international tour in spring 2024.

credits

released December 8, 2023

All songs written by Tamas Wells

Chris Helm: drums
Tamas Wells: piano, guitar, vocals
Greg J. Walker: bass, cello, violin, double bass, acoustic guitar, electric guitar, mandolin, sitar, clarinet, piano, keyboards, shaker, drums, tambourine.
Janie Gordon: vocals

Recorded by Greg J. Walker at General Store Studio in Gippsland, Victoria, Australia
Produced and mixed by Greg J. Walker
Mastered by Naomune Anzai

Cover design by Ash Oswald at Hey There's Me
Cover artwork from Agathe Bouton

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Tamas Wells Melbourne, Australia

Tamas Wells is a songwriter based in Melbourne, Australia.

His latest album 'To Drink Up the Sea', with the single 'It Shakes the Living Daylights from You' is out now. The album was produced by Machine Translations' Greg J. Walker in rural Victoria, Australia. ... more

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